Biography

Chuck Hudson has directed opera productions at major international companies including Cape Town Opera (South Africa), Cincinnati Opera, Florida Grand Opera, Minnesota Opera, Atlanta Opera, Pittsburgh Opera, Austin Lyric Opera, Hawaii Opera Theatre, Boston Baroque, Seattle Opera, Wolf Trap Opera, Opera Santa Barbara, and San Francisco Opera Center among others. He has directed award winning theatre productions in New York and regionally, including The Pearl Theatre, The Chester Theater, Cape May Stage, The Children’s Theatre Festival of Houston, New City Theatre, and Chicago’s Fox Valley Shakespeare Festival. Chuck’s work as a director was mentioned in the January 2011 Edition of American Theatre Magazine and the October 2018 Edition of Classical Singer Magazine.

In addition to directing, Chuck continues to focus on work with young professional artists. He was a co-creator of Seattle Opera’s Young Artist Program where he directed productions as well as created and instructed specialized classes on Acting and Movement skills for singers. He has directed productions at San Francisco Opera’s Merola Program, Santa Fe Opera’s Apprentice Artist Program, Florida Grand YAP, Yale Opera, AVA Opera Theater, BU Opera Institute, USC-Thornton Opera, Carnegie-Mellon, Manhattan School of Music Opera Theater, Cincinnati Conservatory, Indiana University Opera Theatre, and Music Academy of the West. He was the Artistic Associate of La Lingua della Lirica for two seasons in Italy, a guest artist at S.I.V.A.M. in Mexico City and has been an annual Master Teacher at San Francisco Opera’s Merola and Adler Fellows programs for almost two decades. In 2022, Chuck created a Certificate Training Program for Opera Stage Directors at Ithaca College. 

Chuck travels often to Australia to work with singers at The Melba Opera Trust in Melbourne, The Sydney Conservatorium, N.I.D.A., Opera Australia Young Artist Program, the Western Australia Academy of Performing Arts in Perth, and professional singers via the Opera and Arts Support Group. He directed the Australian Premiere of the German Opera by Goetz based on Shakespeare’s The Taming of the Shrew (at WAAPA), was a Guest Director at the Melbourne Conservatory of Music’s Opera Training Program, and presented public Showcases for professional singers at the residence of the American Consul General in Sydney for the Opera and Arts Support Group. The Dame Kiri Te Kanawa Foundation also invited Chuck to work with their singers in New Zealand for several seasons.

For 7 years Chuck was Artistic Director of The Immediate Theatre in Seattle: a physically based company committed to the creation of visually exciting dramatic works. Chuck’s specialty in movement comes from a background in gymnastics as well as being one of three Americans to have received a diploma from the Marcel Marceau International School of Mimedrama in Paris. He is the only American to be appointed to teach at Marceau’s School, and he performed with Marceau on his 1991 European Tour and in Klaus Kinski’s film Paganini. Chuck also studied at the Paris School for Theatrical Fencing and was awarded an Honorary Diploma from the French Academy of Arms and holds an Advanced Training Certificate in Applied Mythology from Pacifica Graduate Institute’s Extension and International Studies Program.

Acting roles include Orsino in Twelfth Night, Brutus in Julius Caesar, and Petruchio in The Taming of the Shrew with the Seattle Shakespeare Festival, and Caliban in The Tempest with his own Immediate Theatre.

Biography

Chuck Hudson has directed opera productions at major international companies including Cape Town Opera (South Africa), Cincinnati Opera, Florida Grand Opera, Minnesota Opera, Atlanta Opera, Pittsburgh Opera, Austin Lyric Opera, Hawaii Opera Theatre, Seattle Opera, Wolf Trap Opera, Opera Santa Barbara, and San Francisco Opera Center among others. He has directed award winning theatre productions in New York and regionally, including The Pearl Theatre, The Chester Theater, Cape May Stage, The Children’s Theatre Festival of Houston, New City Theatre, and Chicago’s Fox Valley Shakespeare Festival. Chuck’s work as a director was mentioned in the January 2011 Edition of American Theatre Magazine and the October 2018 Edition of Classical Singer Magazine.

In addition to directing, Chuck continues to focus on work with young professional artists. He was a co-creator of Seattle Opera’s Young Artist Program where he directed productions as well as created and instructed specialized classes on Acting and Movement skills for singers. He has directed productions at San Francisco Opera’s Merola Program, Santa Fe Opera’s Apprentice Artist Program, AVA Opera Theater, BU Opera Institute, USC-Thornton Opera, Carnegie-Mellon, Manhattan School of Music Opera Theater, Cincinnati Conservatory, Indiana University Opera Theatre, and Music Academy of the West. He was the Artistic Associate of La Lingua della Lirica for two seasons in Italy, a guest artist at S.I.V.A.M. in Mexico City and has been an annual Master Teacher at San Francisco Opera’s Merola and Adler Fellows programs for almost two decades.

Chuck travels often to Australia to work with singers at The Melba Opera Trust in Melbourne, The Sydney Conservatorium, N.I.D.A., Opera Australia Young Artist Program, the Western Australia Academy of Performing Arts in Perth, and professional singers via the Opera and Arts Support Group. He directed the Australian Premiere of the German Opera by Goetz based on Shakespeare’s The Taming of the Shrew (at WAAPA), was a Guest Director at the Melbourne Conservatory of Music’s Opera Training Program, and presented public Showcases for professional singers at the residence of the American Consul General in Sydney for the Opera and Arts Support Group. The Dame Kiri Te Kanawa Foundation also invited Chuck to work with their singers New Zealand for several seasons.

For 7 years Chuck was Artistic Director of The Immediate Theatre in Seattle: a physically based company committed to the creation of visually exciting dramatic works. Chuck’s specialty in movement comes from a background in gymnastics as well as being one of three Americans to have received a diploma from the Marcel Marceau International School of Mimedrama in Paris. He is the only American to be appointed to teach at Marceau’s School, and he performed with Marceau on his 1991 European Tour and in Klaus Kinski’s film Paganini. Chuck also studied at the Paris School for Theatrical Fencing and was awarded an Honorary Diploma from the French Academy of Arms.

Acting roles include Orsino in Twelfth Night, Brutus in Julius Caesar, and Petruchio in The Taming of the Shrew with the Seattle Shakespeare Festival, and Caliban in The Tempest with his own Immediate Theatre.

Awards and Award Winning Productions

2024 Costume Society of America Award for  the 2022 production of Ariadne auf Naxos at Arizona Opera (Stage Director: Chuck Hudson) given to Daniel James Cole.

2022 Angior Family Foundation Grant: Melba Trust, Melbourne, Australia.

2014 VCA & MCM Master Teacher Program Grant: supported by the state government through Arts Victoria (Australia)

2013 production of Le nozze di Figaro at Austin Lyric Opera received an Austin Critics Table Award for Best Opera

2012, 2013, 2014 Dame Joan Sutherland Grants from the American-Australian Association.

2008 production of La Bohème at Cincinnati Conservatory of Music received a National Opera Association award.

2002 Off-Broadway production of She Stoops to Conquer at The Pearl Theatre Company received a Joe A. Callaway Award from The Actors Equity Association.

1994 production of Woyzeck at The Immediate Theatre received a Seattle Times award for Best Production of the Year.

1987  Full Scholarship Grant from the French Ministry of Culture and Foreign Affairs for the final year of study at L’Ecole Internationale de Mimodrame de Paris-Marcel Marceau.