October 12-22, 2025
See Scheduling and Preparation Information below.
Use the SIGN-UP BUTTON to arrange your session by indicating the date and time.
Discover how dramatic coaching adds confidence, clarity,
and emotional depth in every audition.I am sensitive to the financial challenges that confront all artists, and I am offering special opportunities this season to help you succeed.
Fees
Payment must be received immediately when you arrange your coaching to confirm your time.
- $70 per hour
- $60 per hour for 2 or more sessions
Changes possible based on availability, no refunds.
- Once you confirm with me you will pay for all the arranged coachings in advance.
- I accept payments via VENMO or ZELLE
You must arrange to have a collaborative pianist with you at your own expense for each coaching. We will not work with recorded accompaniment or a capella in these sessions. I will suggest some pianists to you if you have difficulty finding one.
It is your responsibility to arrange and pay for the studio space in your name and your pianist separately. See the SCHEDULING DROP DOWN Menu for more information.
Preparation
- Please bring 2 copies of the music: one for the pianist and one for me. Please do not bring me your bound score, an ipad, or a copy with lots of notes written on it, but a clean copy on paper. I prefer my copy to be single sided “loose pages” and not taped together as you would for an accompanist.
- If your piece is not in French or English, I will need a legibly written word-for-word translation in English on the line of music: not a translation on another page, and not the existing English translation of the piece which is not word specific.
- Your aria must be memorized “off book.”
- PLEASE NOTE: We will work on Audition Material such as an Aria from and Opera or Song from a Musical. We will not work on Art Song or Lieder unless agreed in advance. Singers who wish to work on The Doll Song from HOFFMAN, Glitter and Be Gay from CANDIDE, Mein Herr Marquis from DIE FLEDERMAUS, or “scenas” like Ophelia’s Mad Scene from HAMLET, Max’s Aria from DER FREISCHUTZ, Non monsiuer mon mari from LES MAMMELLES de TIRESIAS, or Zerbinetta’s Aria from ARIADNE please let me know in advance as they require special considerations and will require a longer period of time or number of sessions
Cancellation Policy
- I need 72 hours advance notice to move a coaching time at no cost to you based on available coaching times.
- There are no refunds: You may arrange to have someone come in your place if you let me know in advance.
Use the SIGN UP BUTTON below to arrange your session by indicating the date and time.
Once I have confirmed your session, you can arrange the studio space.
The Coachings take place at NEW YORK SPACES–Ripley-Grier Studios located on 8th Ave and 37th St, 16th-17th floors.
- You can find them on the web at http://www.ripleygrier.com/ or by calling (212) 799-5433.
- You will rent the studio time in advance, and tell them you want a studio no smaller than 16-I.
- The following studios are too small for this work, so please do not use 16-A, B, C, R, S, V, W or X ; 17-G, J, K, or L; 10-B. You may find a map of the studios on their website.
- It is your responsibility to arrange and pay for your accompanist and the studio space in your name separately.
Schedule
Thursday Oct 16
- 11:00-12:00 Available
- 12:00-1:00 Taken
- 2:00-3:00 Taken
- 3:00-4:00 Available
- 4:00-5:00 Available
- 5:00-6:00 Available
Friday Oct 17
- 11:00-12:00 Taken
- 12:00-1:00 Available
- 1:00-2:00 Taken
- 3:00-4:00 Available
- 4:00-5:00 Taken
Sunday Oct 19
- 12:00-1:00 Available
- 1:00-2:00 Available
- 2:00-3:00 Available
- 3:00-4:00 Available
- 4:00-5:00 Available
Monday Oct 20
- 12:00-1:00 Taken
- 2:00-3:00 Available
- 3:00-4:00 Available
- 4:00-5:00 Taken
- 5:00-6:00 Available
Tuesday Oct 21
- 11:00-12:00 Taken
- 12:00-1:00 Available
- 2:00-3:00 Available
- 3:00-4:00 Available
- 4:00-5:00 TBA
- 5:00-6:00 TBA
Wednesday Oct 22
- 11:00-12:00 Available
- 12:00-1:00 Available
- 2:00-3:00 Available
- 3:00-4:00 Available
- 4:00-5:00 Taken
- 5:00-6:00 Available
What Industry Professionals Say
About Coaching Arias with Chuck
"This is more than reasonable! I love your work with singers!"
-Kathy Olsen, Artist Manager at Encompass Arts: NYC
"Your coachings make the jury take interest in your singers. They express something and communicate it. You know how to teach that!"
-Neal Goren, Conductor: NYC
"Both Manase (tenor) and Samson (bass/baritone) got into the Young Artist Programme at the Met. You can claim a good chunk of the credit for that...So many of the young singers who are doing so well were helped massively by you."
–Stephen Dee, Kiri Te Kanawa Foundation (New Zealand)
"Bravo and thank you for the terrific work you did with Johanna Will (District Winner of Metropolitan Opera National Council Auditions). She just sang through her pieces for the MET council audition, and your superb coaching is evident. She’s never been more expressive, clear and confident in her presentation. She DID understand your approach, and I’m thrilled and convinced that this helped with her success today."
–Glenn Morton, Mannes School of Music