Video Master Class Series

Acting & Movement Skills for Singers

Produced By:

Chuck Hudson

Date

On Going

Time

On Your Schedule

Fee

$25 per Video
$110 per Series

Location

Videos on Demand

2 Acting Master Class Series for Singers: 10 Videos On-Demand

 

So many Opera singers are not confident in their acting skills, and feel intimidated in rehearsals and auditions.
 If you are worried about upcoming auditions or getting back into rehearsal after so long away, I can help you.

I understand how challenging it is to commit to specific dates and times to focus on gaining the Acting Skills you need to succeed. With this video series, YOU DECIDE when and where to work! 

Stream individual videos one at a time or each 5-Session Series for additional savings.
Watch each video in part or in whole on your own schedule.

        • Contact me using the SIGN UP Button below.
        • Tell  me which video or which series you want to stream.
        • I will send you information for payment and a link to a private video you can access
          as often as you like for 5 days, making the work fit into your schedule on your own time.
Revolutionize your approach to Acting in Opera for Auditions, Concerts, Competitions, and Performances!

More Video Master Classes coming later this year!

Series 1: Preparing a Role

  • Session.1
  • Session.2
  • Session.3
  • Session.4
  • Session.5

1 hour 10 minutes
Mining the Text for Character and Action

A simple 6-step technique to mine a libretto for clues to create Character and Action.
We train actors to read a script not simply for storyline, but for Character and Action. Reading “the story” is like me having a complete orchestral score in front of me and only reading the melody line. I am missing a huge percentage of the orchestration. It is the same with the libretto of an Opera.

2 hours
Acting Bigger-an Online Movement Master Class

A particular challenge for presentational forms of performance like Opera and Musical Theatre is “making things bigger”. Directors love what you do in rehearsal, but when you move onstage and they want you to “be bigger,” and you lose touch with the dramatic truth you had before. Learn how to “make the invisible visible” without “acting it out.”

1 hour 5 minutes
Creating the Character’s World

Imagery is everything for creating character and action. This session teaches you another simple 6-step technique to generate that Imagery and to use it. Learn how to flesh out the Given Circumstances and to combine them with 3 Pairs of Opposing Environments, allowing you to create THE WORLD OF THE OPERA in specific detail.

1 hour 52 minutes
Creating Action

This session takes the mystery out of Acting and makes it easy as pie to generate a logical sequence of actions you can play moment to moment, rather than trying to play an emotion that can interrupt your ability to sing well.

1 hour 22 minutes
Arias and Action

Auditioning with Arias demands that a singer generate a multidimensional “performance” when they will not have the production elements and context of a performance on stage. The Cube of Space Technique is designed to “sculpt the space” around solo performance and I have successfully employed these concepts with singers over the past 20 years. It is the “bang for the buck” part of my instruction that helps the singer to stand out from the herd, to gain control over their audition arias no matter where they are performed, and to truly enjoy performing them again.

Series 2: Creating the Arc of Character

  • Session.1
  • Session.2
  • Session.3
  • Session.4
  • Session.5

1 hour 30 minutes
From Beginning to End

The Story Arc clarifies the external conflicts the character confronts during the production. The Arc of Character maps the inner growth and changes the character undergoes during the external action.

"A character succeeds or fails to grow and change (character arc) within the context of the conflict that is unfolding (plot) from the writer’s point of view (theme)."

 

1 hour 43 minutes
Scene by Scene Progression of Story Arc and Character Arc

Each scene has its own dynamic Arc of Change based on how the character rises to meet the challenges in the Story Arc. In this session, we will identify the obstacles for the character in each scene and create the Dynamic Line of Action for your character moment by moment.

1 hour 35 minutes
Character Arcs in Arias.
The Initial Stages of the Complete Arc of Character.

After defining the Beginning and Ending of the Arc of Character in the show, this session explores how the arc of each aria contributes to and supports the arc of each scene as we define the first half of the Complete Arc of Character.

1 hour 41 minutes
The Latter Stages of the Complete Arc of Character

Drawing on examples from Opera, we will continue to identify the stages of the Character Arc from the Mid-Point to the End of the Story Arc, defining what makes a character Heroic or Tragic.

1 hour 47 Minutes
The Hero’s Journey and the Transformational Arc of Character

Modern approaches to Character Arcs and Story Arcs are often combinations of the Dramatic Structure of Classical Drama with the Hero’s Journey from Classical Myths and Legends. We will compare the Male Heroic Journey with the Female Heroic Journey revealing how these structures appear in Operas.

Finally, we will combine all of the elements we have explored over the 5 sessions into a single pattern: an image you can use as a guide to create the Dynamic Wave Pattern that moves the action of the Opera forward and develops characters.

Classical singers getting ready for MET auditions, NATSSA, and anything else, I strongly encourage you to consider this class with Chuck Hudson. A great investment of your time and money!

–Kari Ragan, Voice Teacher (Seattle)

So many great tools, I don’t know even where to begin. I want to go do the work with all of the characters and arias. You provided us with a great frame work that not only could benefit us as artists, but also in those odd situation where the director is “green” or if there’s no director.

–Kristina Malinauskaite , Soprano (NYC)

I’m performing Countess at the end of the month, and your workshops have been a game changer for me. I truly feel that I can translate what my director is giving me with the tools I’ve learned from you, and I can’t thank you enough.

–Sarah Rogers, Soprano (Boston)